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Quentin Tarantino Reveals His Slam-Dunk ‘Good Movie’ Idea: Adam Driver As Rambo

Quentin Tarantino only has one movie left to make before he retires, and he has one idea he knows would make for a slam-dunk good movie. That idea involves casting Adam Driver as Rambo in an adaptation of “First Blood.” Tarantino said on “The Big Picture” podcast during his “Once Upon a Time in Hollywood” book tour (via /Film) that his “First Blood” would adapt David Morrell’s 1972 novel of the same name and not have anything to do with remaking Sylvester Stallone’s 1982 movie.

“When David O. Russell talked about doing ‘The Fighter,’ he was over himself and over being the auteur,” Tarantino said. “He just wanted to make a good movie that people are going to enjoy. There was something really refreshing about him saying that, and that perspective. If I just wanted to make a good movie, that I knew would be good, I would take David Morrell’s novel for ‘First Blood’ and do the novel. Not the movie that was made out of ‘First Blood.’ I would do the novel.”

Tarantino continued, “Kurt Russell would play the sheriff, and [Adam Driver] would play Rambo. Every time I read it, the dialogue is so fantastic in the David Morrell novel that you’re reading it out loud. It would be so good. But now I want to do more than that. But if it was just about to make a good movie, that’s out there.”

It appears Tarantino wants something more challenging than just a slam-dunk good movie like “First Blood” for his final feature. The director revealed at the end of June that he briefly considered making his last movie a “Reservoir Dogs” reboot. Tarantino promised fans he would not be rebooting his feature directorial debut, but it could find life on the stage.

“I’ve decided if I wanted to do something like [a ‘Reservoir Dogs’ reboot], I would do it more on stage. I think that would be cool,” Tarantino told ReelBlend podcast in July. “It’d be a great stage play. My thought process was, ‘Well, if it’s a strong piece of material, it would work doing it any time.’ It does seem timeless. And then just with a new group of actors, that would have a new life.”

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Categories Articles The Last Duel

‘Spencer,’ ‘The Last Duel’ Set For Venice Film Festival

The Venice International Film Festival unveiled a starry lineup of world premieres for September — including Pablo Larrain’s “Spencer,” starring Kristen Stewart as Princess Diana and Ridley Scott’s medieval drama “The Last Duel,” featuring Matt Damon, Ben Affleck and Adam Driver

The oldest film festival in the world is kicking off its 78th edition Sept. 1 on the Lido with the premiere of Pedro Almodóvar’s “Madres paralelas,” starring Penelope Cruz. “Spencer” and “Madres paralelas” are among 21 features premiering as part of the official competition, which has often helped guide eventual Oscar best picture nominees and even winners.

Other films competing for the Golden Lion include Ana Lily Amirpour’s fantasy “Mona Lisa and the Blood Moon,” with Kate Hudson and Craig Robinson; Maggie Gyllenhaal’s adaptation of Elena Ferrante’s “The Lost Daughter,” starring Olivia Colman and Dakota Johnson; Paul Schrader’s crime drama “The Card Counter,” with Oscar Isaac and Tiffany Haddish, and Paolo Sorrentino’s “The Hand of God.”

Edgar Wright’s stylish psychological thriller “Last Night in Soho,” with Thomasin McKenzie and Anya Taylor-Joy, will also have its premiere in Venice out of competition before heading to the Toronto Film Festival.

Jane Campion’s “The Power of the Dog,” with Benedict Cumberbatch, Kirsten Dunst and Jesse Plemons; Denis Villeneuve’s adaptation of “Dune,” starring Timothée Chalamet, and “Halloween Kills” were all previously announced as part of the slate. Campion’s film, about brothers in 1920s Montana, is another competition title, and one of two Netflix films debuting at the festival.

Last year, Chloe Zhao’s “Nomadland” premiered at the scaled-down but still in-person festival and was awarded the Golden Lion. This year, Zhao will help decide who gets that prize as a member of the main jury led by fellow Oscar winner Bong Joon-ho, who directed “Parasite.”

Following on the heels of the Cannes Film Festival, the Venice Film Festival is expected to mostly return to its full glamour in September. The festival runs through Sept. 11.

Source.

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Adam Driver Is The Face Of Burberry’s New Men’s Fragrance By Riccardo Tisci

Coty has announced Oscar-nominated actor, Adam Driver, as the face of Burberry new men’s fragrance which will be launched in August 2021. This will be Riccardo Tisci’s first fragrance for the house.

“I’m very happy to be working with Burberry on this campaign, and with Riccardo Tisci in representing his first fragrance for the brand,” stated Driver

The actor wore Burberry to the premiere of Annette at the opening night of the Cannes Film Festival. His outfit included a black English-fit mohair-wool tuxedo with silk-satin peak lapels and side stripes, a white cotton-poplin shirt, black silk-satin bow tie, black silk-satin cummerbund, black leather belt, palladium-plated personalized letter motif cufflinks, and black leather Derby shoes.

More information on the new fragrance will be released as the launch date approaches.

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Categories Articles The Last Duel

The Last Duel True Story: Real History Behind Ridley Scott’s New Movie

Warning: this article touches on subject matter that some readers may find distressing

Ridley Scott’s Gladiator was a huge success, if a very fictionalised account of ancient Rome – but his next historical epic looks to stick very closely to a true story.

Despite taking place in the fourteenth century, The Last Duel tells the surprisingly timely story of a rape case, the judicial proceedings that follow and the treatment of victims that speak out.

The film is based on The Last Duel: A True Story of Trial by Combat in Medieval France, a non-fiction book by medieval literature specialist Eric Yager that recounts the story of how the case led to the last legally sanctioned duel in France’s history.

Beware of possible spoilers for the film below – particularly on the outcome of the titular duel.

The film – co-written by Matt Damon and Ben Affleck – takes place around halfway through the Hundred Years War, a series of conflicts between England and France over claims to the French crown. French knight Jean de Carrouges (played by Matt Damon in the film) took part in several campaigns against the English in the Fourteenth Century, in locations such as Scotland and Normandy.

In 1380 Carrouges married Marguerite de Thibouville (Jodie Comer), daughter of the controversial known traitor Robert de Thibouville who had sided against multiple French Kings in territorial disputes. It seems Carrouges wished to use his father-in-law’s claim to win back a valuable estate that was given to a man who would become very important later on – Jacques Le Gris (portrayed by Adam Driver).

However, Le Gris was a favourite of property owner Count Pierre d’Alençon, who dismissed Carrouges’s lawsuit. Carrouges, therefore, lost favour in the court while Le Gris became wealthy and popular while developing a womanising reputation, but nonetheless the two eventually reconnected and put an end to their feud – with Carrouges even introducing Le Gris to his wife Marguerite.

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Categories Annette Articles

Adam Driver’s ‘Annette’ Makes Waves At Cannes As ‘Acid Trip’ And ‘True Sh–post Of A Movie’

Well that’s one way to kick off Cannes.

“Annette,” the opening-night film of the festival that stars Adam Driver and Marion Cotillard, turned some heads Tuesday with some surreal, head-scratching moments and a few divisive reactions from critics, even as it earned a five-minute standing ovation from the crowd.

“Holy Motors” director Leos Carax’s latest film is a pop opera with a story and original songs by the duo Sparks, and the movie features everything from a marionette baby, musical head trips and, as at least one critic pointed out, two shots of Driver even briefly singing into Cotillard’s vagina.

“I thought Adam Driver doing Bo Burnham-style stand-up and having a horrifying robot baby with Marion Cotillard was weird but ‘Annette’ just kept outdoing itself,” critic Iana Murray wrote of the film. “A true s—post of a movie. Don’t know if i like it yet but i respect the audacity.”

TheWrap’s Steve Pond wrote in his review of the film out of Cannes that when “Holy Motors” premiered at the festival nine years ago, it was such a radical shock placed in the dead center of so many other films. That film, despite being a critical darling, had its fair share of polarized reactions and boos at Cannes. But “Annette” is the opening night film and is setting the tone this year, and it doesn’t quite reach the level of crazy of its predecessor.

But when Carax’s new film, “Annette,” premiered at Cannes on Tuesday, it faced a tougher road. The French filmmaker, after all, has the opening-night competition slot this year, which means his new film can’t come as a breath of fresh, weird air the way his last film did. This year, he’s setting the tone, not providing the contrast.

“Besides, ‘Annette’ (an Amazon Studios release) may be bonkers in its own way, but it’s less bonkers than “’Holy Motors’ was,” Pond wrote. “Carax set the bizarro bar very high nine years ago, and his first movie since then proves that he’s still a nutty filmmaker by turning his nuttiness into a full-fledged musical. That’s fun, for a while, and then it’s kind of exhausting, something that ‘Holy Motors,’ with a similar two-hour-and-20-minute running time, never was.”

“Annette” is set in present-day Los Angeles and stars Driver as a stand-up comic and Cotillard as a world-renowned opera singer who together fall in love and make a passionate, glamorous couple, but find their lives turned upside down when their first child, Annette, turns out to be a mysterious little girl with an exceptional destiny.

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